Monday, July 4, 2016
Wednesday, June 29, 2016
Wednesday, January 13, 2016
The Magic of the Alchemical Process and the Courage of our Vulnerability
The Magic of the Alchemical Process and the Courage of our
Vulnerability
By Carmela Cattuti, author of Between the Cracks
Having just published an historical
novel based on my great aunt’s experience of the 1908 earthquake in Sicily, I
started to think about the alchemical process of growth open to the human race
residing on this planet. In order to open ourselves to this transformation
process we must have what the Italians call “coraggio,” a quality highly
regarded by the culture. The word means courage, but when an Italian says it,
it is more of a blessing of confidence to transcend the obstacle or confront
the issue at hand. A person with great “coraggio” always triumphs regardless of
the outcome. This is especially true of the writing process, particularly when
we are dealing with difficult material.
In my novel, we see the main
character, Angela, moving into a time line that is regenerative and healing.
Many of us currently living on this planet possess courage in spades, and are
waking up to who we really are. Those who remain steeped in the constructs of
religion and politics may take a few more life times to develop enough courage
to extricate themselves from these paradigms. But for those of us with enough
courage (energetically developed over life times) to face the amount of
imposition placed upon the human race from the media, politics, and religion,
our transcendence is assured. The time line is created, all we need to do is
bring it into our awareness. This is the time line Angela attempts to navigate.
She realizes she cannot stay in Sicily; she has to traverse the unknown.
It took a great deal of courage for
my great aunt to survive that massive disaster, then marry a man she hardly
knew and immigrate to a strange country. I wrote her story and I am humbled by
it. Her younger sister was never found and for the rest of her life she often
wondered about her fate. Many years later she and her husband returned to
Messina to see if they could locate her, but there was no evidence that she had
survived the earthquake. I think her story is a tribute to the indomitable
human spirit.
From what I can remember of our
conversations, she was very much in touch with her inner knowing from the time
she was quite young. When she was a child both her parents died and she and her
brother were sent to live with grandparents while her younger sister was sent
to live with an aunt, so from early on she had confronted loss and abandonment.
After the earthquake she was completely alone, surviving on the streets until
the Americans came and took orphaned children aboard ships. She ended up in a
convent and was raised by the Sisters of Charity.
Her early life was an intense
alchemical experience that strengthened who she was and what she came to this
planet to accomplish. A less developed soul without an abundance of courage
would have perished or given up. Her relationship with the Catholic Church was superficial
and the energy of her worship was focused on the Blessed Mother. Even though
she was raised in a strict religious atmosphere where her behavior was closely
monitored, the construct of religion was not a force behind her spiritual
beliefs. She was vulnerable to criticism for her “Mary Worship” by the Italian
Community, but she persisted in having an altar devoted to Mary in her home
regardless. It is imperative that we as writers develop the same stamina and
courage.
Angela was bombarded with family
obligations and tragedy, but she persisted in her spiritual development and
serving others, even when they were less than kind. Her influence on my life
has been profound and when I think I am having a difficult time filling a page,
I refer to her life and it puts everything into perspective.
About the
Novel
Join Angela
Lanza as she experiences the tumultuous world of early 20th century Sicily and
New York. Orphaned by the earthquake and powerful eruption of Mt. Etna in 1908,
Angela is raised in the strict confines of an Italian convent. Through various
twists of fate, she is married to a young Italian man whom she barely knows,
then together with her spouse, immigrates to the U.S. This novel is an
invitation to accompany the young Angela as she confronts the ephemeral nature
of life on this planet and navigates the wide cultural gaps between pre-World
War II Italy and the booming prosperity of dynamic young America. Author,
artist, and teacher Carmela Cattuti created Between the Cracks as an homage to
her great-aunt, who survived the earthquake and eruption of Mt. Etna and
bravely left Sicily to start a new life in America. This is the first in a
trilogy.
Bio
Carmela Cattuti is a writer, visual artist,
and teacher. She is the author of Between
the Cracks, a novel based on her great aunt's inspirational journey from
Sicily to the U.S. Carmela is a graduate of Boston College master’s program in
literature. Join her Facebook community and visit her on her Twitter and
Pinterest for event updates and articles. Visit
www.betweenthecracksnovel.blogspot.com for your free chapter. The novel may be purchased on amazon.com.
Sunday, April 26, 2015
Book Signing in Salem MA.
Hello All,
I will be signing books at Wicked Good Books, 215 Essex St, Salem MA. from 2-4pm on Sunday, May 15th. If you're in the area drop by and say hello.
I will be signing books at Wicked Good Books, 215 Essex St, Salem MA. from 2-4pm on Sunday, May 15th. If you're in the area drop by and say hello.
Sunday, April 19, 2015
One Immigrant's Legacy
One
Immigrant’s Legacy
By Carmela Cattuti, author of Between the Cracks
Growing up in a small city along the Hudson River gave me
easy access to New York culture. The hour’s train ride to Grand Central Station
gave me ample time to plot my day’s activity. My uncle lived on east 57th
St., between Lexington and 3rd Avenue, a stone’s throw from
Bloomingdale’s Department Store. He had an elegant abode with a signed Picasso
print and a plethora of other modern art that hung in traditional New York
style from the bottom to the top of the wall in his fabulous Manhattan
apartment. I spent a significant amount of time there during the 1960s, and was
inundated with emerging New York gay culture.
Being gay then meant you hid your sexual preference from your
family, but he and my mother became life- long friends. My uncle often told the
story about the first time he met my mother. My father brought her to New York
to meet his brother. She stood behind my father until she was introduced then
stepped out and my uncle said he fell hopelessly in love. They were both filled
with vitality, extremely opinionated, with a love of the extraordinary. They
were kindred spirits and I think he felt she could be the link he needed to the
family. From what I observed he didn’t hide his life style from her, in fact,
she quite enjoyed our visits with him. His partner was always included in the
conversation and my mother kept him up on family drama. She invited him to all
the family gatherings and encouraged him to participate whenever possible.
My parents married before
my uncle lead a trendy New York life-style and when my mother found out that he
could not travel to Boston for their wedding due to his financial
circumstances, she sent him money for the train ride. She wanted him there and
that created an unbroken bond between them. As I grew up I noticed that I had a
sensibility similar to my uncle’s. I have to admit I was more comfortable in an
upscale Manhattan apartment surrounded by art than I was hanging out with my
friends. As soon as I was able to travel independently, I took every
opportunity to go into New York and connect with the city’s vitality. I became a visual artist partly because of the
paintings that hung on my uncle’s wall and because of my great aunt Angela’s influence
on my life.
My great aunt, Angela
Barone (heroine in Between the Cracks),
raised both me and my uncle. My paternal grandmother died an early tragic
death. After this happened my uncle said his family fell apart; my great aunt
was the solidifying element in the family. She not only raised me, my father,
and my uncle, she partly raised my grandmother. When Angela arrived in this
country from Sicily my grandmother was nine years old and in desperate need of
attention. She injected three generations with her artistic and creative
sensibility, European manners, love of good design, and fierce self-expression.
Angela made manifestation of creative vision look easy. She was a superb
seamstress and made all my clothes. In fact, I did not completely buy off racks
until I was thirty years old.
Angela’s contribution to her family and community was far
reaching. She was well-respected among her peers and was a driving force in the
Italian American community in our small city. Angela was a survivor of the 1908
earthquake in Messina, Sicily. Before the earthquake Messina was a city of
about 150,000, sadly, after the earthquake 100s were left. She was the only one
in her circle of Italian friends who had experienced this tragedy. Her need to
tell her story was dire so she chose me as a repository for her story’s safe
keeping. This was her gift to me. I wrote Between
the Cracks to not only share her story and honor her history, but to
demonstrate the magic of determination, persistence, and vulnerability in the
face of insurmountable odds.
Thursday, March 5, 2015
Friday, February 27, 2015
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